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Written breakdown

Billionaire interiors: which style they choose and which details they notice

· Oleg Svyatenko, RERA broker

In our experience billionaires choose classic interiors more often than baroque or Empire, though no two clients want the same thing. What they share is the standard of execution: one owner noticed a wardrobe rail hanging slightly off level, and a team set it straight with a builder’s laser, millimetre by millimetre.

Can a billionaire’s taste be predicted?

No. Every client has their own wording, their own requests and their own idea of comfort. Two people of the same wealth can describe the interior they want in entirely different words and mean entirely different things.

Billionaire interiors are usually pictured as a showcase of luxury: marble, gilding, enormous chandeliers. Ask the people who work on such homes, and the conversation moves quickly from materials to details.

Taste cannot be anticipated in advance. Arriving at a project with a ready-made set of solutions "for the rich" almost always ends in rework, because the set was assembled for an imagined client and not for this one.

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So work on homes of this level begins with a conversation, not with a catalogue of materials. The team has to learn what the person loves, what irritates them, how they spend their day and where they feel calm.

The interior here is not a display of status for guests. It is the space the owner lives in, and it has to match their own inner sense of order.

Classic, baroque or Empire: which do they choose more often?

Classic. It is a frequent question — whether restrained classic or the lavish historical styles win among the very rich — and in our experience there is more classic. The classical story simply comes up more often.

Classic means measured proportions, symmetry, a calm palette and noble materials without excess decoration. An interior of that kind does not date and does not tire the people who live in it.

Baroque means complex curved forms, an abundance of ornament and gilding, and a sense of theatre. It is striking, but living in such a space every day is not easy.

Empire means solemnity, monumentality and imperial motifs. It is a style built to impress, and it appears more often in individual formal halls than throughout a whole house.

Why does classic win?

Because it is calmer and lasts longer — and because it is honest. In strict lines and symmetry the quality of the workmanship is visible at once.

Any tilt, uneven seam or mismatched gap between cabinet fronts shows far more clearly in a classic interior than it would among baroque ornament. That is exactly why classic is so demanding of the craftsmen who build it.

The takeaway

Billionaire interiors differ not in the amount of gold but in precision. Tastes vary and cannot be guessed in advance, yet calm classic wins more often than not.

The demands on execution reach millimetres inside a wardrobe. That attitude to detail is what separates a premium home from a merely expensive renovation.

The story of the wardrobe rail

One case shows the level of expectation better than any description. One of our billionaire clients opened a wardrobe — an ordinary one, with a rail inside for hangers and clothes.

The owner noticed that the rail hung at a slight slope. Not by much, barely perceptibly, but as though it were crooked. His reaction was short: it has to be put right.

The team came to the property with an ordinary builder’s laser. They set it up and began to measure, first in centimetres and then in millimetres, and kept working until the rail was perfectly level.

From outside this is easy to take for a whim: who looks at the rail inside a wardrobe? In the premium segment, though, such stories are the norm and not the exception, and they explain a great deal about working with this audience.

Why is a small flaw inside a wardrobe not small?

Because a person used to the best hotels, yachts and houses in the world reads a space very precisely. They may not know the professional terms, but they see the result.

Flawlessness is the baseline expectation. The client is not paying for square metres of finishes but for the certainty that everything in the house has been done properly.

A visible trifle speaks about what cannot be seen. If there is a tilt inside the wardrobe, it is logical to ask what is happening in the places hidden behind the finishes.

The owner lives in the interior every day. What a guest will not notice in an evening, the owner will see hundreds of times.

Putting it right is part of the service. The readiness to come back and level a rail to the millimetre is valued no less than the renovation itself.

How is millimetre accuracy achieved?

With no secret equipment at all. The rail was levelled with an ordinary builder’s laser, the same tool any decent crew owns. The difference lies in the approach, and on homes of this level it comes down to a few simple rules.

Check with an instrument and not by eye. A laser level shows a deviation the eye does not register but the owner will feel.

Work from one base line. Rails, shelves, fronts and fittings are all set from a common mark, so that everything in the room agrees with everything else.

Accept the work detail by detail. Before handover it is worth opening every door and every drawer, and not only judging the overall look.

Do not argue about what is "unnoticeable". If the client has seen a deviation, it is removed — nobody explains that it falls within tolerance.

What does this mean for property owners in Dubai?

That attention to detail pays for itself. Dubai is a market with an especially high concentration of premium villas, penthouses and residences, and buyers and tenants there compare homes by more than location, view and floor area.

They compare the quality of execution as well. A finish that looks impressive in photographs but disappoints up close lowers the value of a property in the eyes of a demanding client.

The practical conclusion applies whether you are renovating your own villa, preparing a flat for sale or letting a home at the premium end. Straight lines, neat junctions, well-adjusted fittings and correctly set elements inside the wardrobes are what the feeling of an expensive home is made of.

The style can be anything. But classic, as practice shows, forgives least of all.

Frequently asked

Which interior style do billionaires choose most often?

In our experience, classic. Baroque and Empire do appear, but less often: they are striking, and harder to live in every day.

Can a "billionaire-style" interior be done from a template?

No. The tastes of such clients are completely different and there is no single set of solutions. The only thing they have in common is the level of execution.

Do clients really notice something as small as a sloping wardrobe rail?

Yes. The case is real: the owner opened the wardrobe, saw a slight slope and asked for it to be fixed, and the rail was then levelled with a laser to the millimetre.

Is special equipment needed for that kind of accuracy?

As a rule, no. An ordinary builder’s laser level is enough. What decides the result is the habit of checking every detail with it.

Is it worth investing in details if the property is for sale or rent?

In the premium segment, yes. A buyer of that level judges the quality of execution as closely as the client for whom the renovation was done.

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